Mike Cowap

Mike worked at Screen Australia since it was founded in 2008 and before that with predecessor agency the Australian Film Commission since 2005. In his role as Investment Manager at the Federal Government’s key screen agency, Mike managed many award-winning projects including online content, TV series, feature films, apps, interactive drama & documentary, and video games, and conceived and ran many initiatives, conferences, and training opportunities.

Mike had special responsibility for innovative digital production, exploring new platforms, finance, and revenue models. Amongst several special programs, Mike initiated and managed SKIP AHEAD with Google/YouTube to support content creators to grow online subscribers, and FRESH BLOOD with ABC TV/iview to find the next wave of comedy filmmaking talent. Prior to joining the agency, Mike held positions with the UK Film Council and the South Australian Film Corporation, and worked with production companies Picture Palace North (UK) and Monkeystack.

Mike’s commitment to unique and remarkable talent, coupled with his creative judgement and enviable knowledge of current trends in international production make him an invaluable asset at Princess Pictures.

Sarah Lang

Before joining Princess Pictures, Sarah worked for 5 years in the script and production departments of series such as Wolf Creek, Fat Tony & Co, Rosehaven and The Weekly with Charlie Pickering, and wrote additional comedy material for the first season of Get Krack!n.

Sarah collaborated with Princess Pictures as a freelancer on 8MMM: Aboriginal Radio and The Divorce, and joined the team full time in 2017 via Film Victoria’s Key Talent Company Placement scheme. Sarah is Head of Development across the company’s entire scripted slate, including comedy, drama, feature film and adult animation. She served as script editor on the first two seasons of How To Stay Married, a Princess Pictures and Peter Helliar comedy series for Network Ten, and was script producer on the third season, and wrote three episodes of the show.